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Hub You - The Hero's Journey and Transformation: In the Heat of the Night (Academy Award Winner,1967)
Every year, the IRS changes some of the specifics for tax deduction and they usually don’t inform the national public about the detailed changes so people are usually left to just buy new software like Tax Cut or Turbo Tax. There are many changes like adjustments for inflation that increase the standard deduction and widen the tax brackets that are easy to spot, but there are other subtle changes that are less obvious. It might make you angry to find out that some of the changes aren’t even on the 2006 tax forms because they were made so late.In order to insure that you get the maximum deduction that you deserve, you need to follow some specific tax filing procedures to obtain them. For state sales tax, college tuition and educators' expenses, Congress changed the deductions for these specific issues last December, but they aren’t on the forms. You are now a
Resisting: why don't you look at it yourself.
Pushed Forward: because I'm not an expert, officer.
Outer Cave: Virgil looks at the body; he needs a few things.
Conscious Decision: right, chief? Yes. Which one of you gentlemen will want to assist me?
Push to the Middle Cave: Gillespie call out to pursue a criminal.
Mentor's Capabilities: Gillespie catches the criminal.
Meeting the Transformation Mentor / Middle Cave / Allies and Enemies: Virgil meets Mrs Colbert.
Resisting the Journey: we don't need you now, Virgil.
Allies and Enemies: Virgil ex
I was communicating with a book editor, who took pains in an email to tell me, on the one hand she’s interested in my book, but on the other, how team-oriented her company’s culture is, and how they eschew “stars,” of any kind.Am I too much of a star for her?Well, scratch her off the list!She’s right; I am a star.Period.And if you expend an ounce of energy to disprove this, I win. Why? Because you’re thinking about me. It’s a form of publicity, and no publicity is bad.If you believe I am a star, and act accordingly, we both win. We’ll set our aspirations above the ordinary, and we’ll do better than the mere mortals who accept the get-by, instead of seeking the breakthrough.But if she’s saying that she’ll only allow her literary partners to shine so much, then she’s simply crazy, and has no business being in business.
The Hero's Journey is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the Hollywood movies we have deconstructed are based on this template.
Understanding this template is a priority for story or screenwriters.
The Hero's Journey:
a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.
b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.
c) Interpreted metaphorically, laterally and symbolically, allows an infinite number of varied stories to be created.
and more...
In the Heat of the Night (Academy Award Winner Best Film, 1967) - Hero's Journey [basic deconstruction]
FADE IN: on a journey; the train arriving.
New World: Sparta, Mississipi.
Foreshadow of the Hero: Virgil steps off the train.
Creatures of this World/ Meeting the Herald and Antagonist: Sam Wood and the waiter.
This World: Sam driving around.
Creatures of this World / Loop: Sam looks at the naked lady.
This World: Sam driving around.
Inciting Incident: Sam finds a dead body.
Meeting the Mentor / Antagonism: Police Chief Bill Gillespie and the photographers etc.
Dead Man's Backstory: came here to make this a better town and look where it got him.
Developing Antagonism: ignorant; no idea when he died.
Meeting the Hero: Sam finds Virgil Tibbs in the railway station.
Forced to the meeting with the Mentor: driven to the police station.
Meeting the Mentor: Virgil meets Bill.
Sacred Meeting: you can go now Sam.
Fish out of Water: what's a Northern boy like you doing here?
Hero's Status: why don't you tell me how you killed Colbert? Refusal: I was visiting my mother; I'm a police officer.
Antagonism: did you question this man before you brought him in.
Polarization: we do not want to ruffle a man that makes $162 a month.
Foreshadow of the Journey: may I see the photographs.
Call to Adventure: Virgil told to help the locals out by his boss.
Refusal: you can't be serious.
Hero's Back story: he's your number one homicide guy.
Resistance: we can handle it fine ourselves.
Pushed Forward: will you look at the body.
Resisting: why don't you look at it yourself.
Pushed Forward: because I'm not an expert, officer.
Outer Cave: Virgil looks at the body; he needs a few things.
Conscious Decision: right, chief? Yes. Which one of you gentlemen will want to assist me?
Push to the Middle Cave: Gillespie call out to pursue a criminal.
Mentor's Capabilities: Gillespie catches the criminal.
Meeting the Transformation Mentor / Middle Cave / Allies and Enemies: Virgil meets Mrs Colbert.
Resisting the Journey: we don't need you now, Virgil.
Allies and Enemies: Virgil exa
George Washington, the first president of the United States, died in 1799 when about two and a half liters of his blood was lost--approximately half the amount of the average blood content in a man's body. What is more surprising is that Washington was not even injured then. Three successive doctors deliberately bled him in an attempt to cure his sore throat.In the anecdote above, the doctors really intended to treat the former US President of his disorder, but they ended up killing him instead, unintentionally of course. This professional misconduct is what we call malpractice.Malpractice is any act or behavior of a professional that does not meet the standards of his profession. Often, this results to provable damages to his patients or clients. Such misconduct or omission of wrongdoing may be due to negligence, ignorance of something he should have kno
c) Interpreted metaphorically, laterally and symbolically, allows an infinite number of varied stories to be created.
and more...
In the Heat of the Night (Academy Award Winner Best Film, 1967) - Hero's Journey [basic deconstruction]
FADE IN: on a journey; the train arriving.
New World: Sparta, Mississipi.
Foreshadow of the Hero: Virgil steps off the train.
Creatures of this World/ Meeting the Herald and Antagonist: Sam Wood and the waiter.
This World: Sam driving around.
Creatures of this World / Loop: Sam looks at the naked lady.
This World: Sam driving around.
Inciting Incident: Sam finds a dead body.
Meeting the Mentor / Antagonism: Police Chief Bill Gillespie and the photographers etc.
Dead Man's Backstory: came here to make this a better town and look where it got him.
Developing Antagonism: ignorant; no idea when he died.
Meeting the Hero: Sam finds Virgil Tibbs in the railway station.
Forced to the meeting with the Mentor: driven to the police station.
Meeting the Mentor: Virgil meets Bill.
Sacred Meeting: you can go now Sam.
Fish out of Water: what's a Northern boy like you doing here?
Hero's Status: why don't you tell me how you killed Colbert? Refusal: I was visiting my mother; I'm a police officer.
Antagonism: did you question this man before you brought him in.
Polarization: we do not want to ruffle a man that makes $162 a month.
Foreshadow of the Journey: may I see the photographs.
Call to Adventure: Virgil told to help the locals out by his boss.
Refusal: you can't be serious.
Hero's Back story: he's your number one homicide guy.
Resistance: we can handle it fine ourselves.
Pushed Forward: will you look at the body.
Resisting: why don't you look at it yourself.
Pushed Forward: because I'm not an expert, officer.
Outer Cave: Virgil looks at the body; he needs a few things.
Conscious Decision: right, chief? Yes. Which one of you gentlemen will want to assist me?
Push to the Middle Cave: Gillespie call out to pursue a criminal.
Mentor's Capabilities: Gillespie catches the criminal.
Meeting the Transformation Mentor / Middle Cave / Allies and Enemies: Virgil meets Mrs Colbert.
Resisting the Journey: we don't need you now, Virgil.
Allies and Enemies: Virgil ex
I know you wouldn't make such a gross error, but it set my teeth on edge as I heard yet again a pundit from a major television network describe a place as "very, very unique."What is going on that we Americans feel compelled to modify and glorify every noun or verb, as though the words themselves were not sufficient to express a thought accurately? The English language is, after all, a rich, yeasty, varied language with more than enough words to convey even a complex idea. And as a living language it is in a constant state of growth and change.Fine. But why must so much of the change be downright wrong? The use of "very (very, very, very!) unique" is a common example of wrongness--so common, in fact, that we rarely even hear the word without a modifier. Perhaps it demonstrates our feelings of being insufficient--of requiring something extra
This World: Sam driving around.
Inciting Incident: Sam finds a dead body.
Meeting the Mentor / Antagonism: Police Chief Bill Gillespie and the photographers etc.
Dead Man's Backstory: came here to make this a better town and look where it got him.
Developing Antagonism: ignorant; no idea when he died.
Meeting the Hero: Sam finds Virgil Tibbs in the railway station.
Forced to the meeting with the Mentor: driven to the police station.
Meeting the Mentor: Virgil meets Bill.
Sacred Meeting: you can go now Sam.
Fish out of Water: what's a Northern boy like you doing here?
Hero's Status: why don't you tell me how you killed Colbert? Refusal: I was visiting my mother; I'm a police officer.
Antagonism: did you question this man before you brought him in.
Polarization: we do not want to ruffle a man that makes $162 a month.
Foreshadow of the Journey: may I see the photographs.
Call to Adventure: Virgil told to help the locals out by his boss.
Refusal: you can't be serious.
Hero's Back story: he's your number one homicide guy.
Resistance: we can handle it fine ourselves.
Pushed Forward: will you look at the body.
Resisting: why don't you look at it yourself.
Pushed Forward: because I'm not an expert, officer.
Outer Cave: Virgil looks at the body; he needs a few things.
Conscious Decision: right, chief? Yes. Which one of you gentlemen will want to assist me?
Push to the Middle Cave: Gillespie call out to pursue a criminal.
Mentor's Capabilities: Gillespie catches the criminal.
Meeting the Transformation Mentor / Middle Cave / Allies and Enemies: Virgil meets Mrs Colbert.
Resisting the Journey: we don't need you now, Virgil.
Allies and Enemies: Virgil ex
Email Marketing, it sounds great and anyone starting an online business regards it as a good way to advertise, but the path to success is full of pitfalls. You cannot blindly send emails about your latest widget or website you have created to everyone otherwise or you will run the risk being accused of sending unsolicited bulk mail, which can result in blacklisting or in bad cases suspension of your account with an ISP.The USA, Europe and most developed countries all have laws to protect their citizens from unsolicited bulk mail or spam and the free mail providers like Hotmail, Yahoo and Google, all have variations as what they consider to be spam and what rules they apply. Users can report alleged spam to them and they will investigate and may then take the matter up with your web hosting service or ISP. Some third world countries have no rules.Your firs
Hero's Status: why don't you tell me how you killed Colbert? Refusal: I was visiting my mother; I'm a police officer.
Antagonism: did you question this man before you brought him in.
Polarization: we do not want to ruffle a man that makes $162 a month.
Foreshadow of the Journey: may I see the photographs.
Call to Adventure: Virgil told to help the locals out by his boss.
Refusal: you can't be serious.
Hero's Back story: he's your number one homicide guy.
Resistance: we can handle it fine ourselves.
Pushed Forward: will you look at the body.
Resisting: why don't you look at it yourself.
Pushed Forward: because I'm not an expert, officer.
Outer Cave: Virgil looks at the body; he needs a few things.
Conscious Decision: right, chief? Yes. Which one of you gentlemen will want to assist me?
Push to the Middle Cave: Gillespie call out to pursue a criminal.
Mentor's Capabilities: Gillespie catches the criminal.
Meeting the Transformation Mentor / Middle Cave / Allies and Enemies: Virgil meets Mrs Colbert.
Resisting the Journey: we don't need you now, Virgil.
Allies and Enemies: Virgil ex
Trade Receivables Securitization refers to the sale of a large stock of receivables to a specially created legal entity that cannot be sued for bankruptcy. It also involves issuing debt securities by this entity. Once the sale is completed, there is cash flow from investors who bought the securities to the specially created entity (Issuer), and the parent company (Originator).Advantages of Trade Receivables Securitization:Trade Receivables Securitization has many advantages, especially for the Originators. We discuss some of them here.1) The receivables are not counted in the balance sheet since they are replaced by their equivalent in cash. This improves the originator’s financial statement. 2) The Originator does not have to wait for payments to be received from the receivables. It can continue getting profits even without receiving the
Resisting: why don't you look at it yourself.
Pushed Forward: because I'm not an expert, officer.
Outer Cave: Virgil looks at the body; he needs a few things.
Conscious Decision: right, chief? Yes. Which one of you gentlemen will want to assist me?
Push to the Middle Cave: Gillespie call out to pursue a criminal.
Mentor's Capabilities: Gillespie catches the criminal.
Meeting the Transformation Mentor / Middle Cave / Allies and Enemies: Virgil meets Mrs Colbert.
Resisting the Journey: we don't need you now, Virgil.
Allies and Enemies: Virgil examines Harvey's hands.
Allies and Enemies: Did he confess; well I believe he will; he's left handed isn't he; if he's left handed, then he's innocent.
Resisting the Transformation: Gillespie confronts Virgil; they call me Mr. Tibbs.
Push to the Transformation: what kind of people are you; somebody killed him and I want you to find out who.
Inner Cave: lock him up for withholding evidence; in the cells, with Harvey.
Resisting the Journey: Virgil sent back to the station.
Transformation: I'm asking you to sign the waiver for false arrest, please; Harvey didn't commit the murder; the body was moved etc; Gillespie changes the charge to theft.
Pushed to the Trials and Transformation: Mayor's on the line chief; Mrs Colbert doesn't want Virgil taken off the case.
Foreshadow of the Inner Challenge: even if we have to step on Endicott's toes.
Resisting the Trials and Transformation: Gillespie asks Virgil to stay.
Refusal: Virgil declines.
Persuaded; you got such a big head…I don't think you can let an opportunity like that pass by.
Magical Gift: Virgil gets a car and a roof.
Warning: the white men think he's gonna get killed….I think this nigger won't live past Saturday.
Trial 1: visiting Mrs Colbert at home; do your husband have any enemies? Endicott.
Finding blood and a twig in the car.
World of the Red Herring: driving to Endicott's place.
Meeting the Red Herring: Endicott is a racist.
Inner Challenge: I'll bring him down.; you're just like the rest of us ain't you.
Time Pressure: you got until Mrs Colbert gets back.
Transformation: the last chief would have shot Tibbs and claimed self-defence.
Trial 2:
Virgil being chased by the southern boys.
The four boys attack Virgil; saved by Gillespie.
Virgil asks Sam to take the same route as the night he found the dead body.
Warning: Gillespie wants Virgil out of town for his own sake.
Push: I want to know where Sam Wood was at all times during the night of the murder.
Transformation: Gillespie takes the back seat if he police car.
Sam Wood changes his route; Virgil walks away.
Trial 3:
Gillespie visits the bank.
Gillespie accuses Sam; a $600 deposit in his bank account.
She is going to have Sam Wood's baby; explaining about the cemetery.
Transformation: you're wrong.
Meeting the Oracle: Harvey tells V
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