(simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ for full details)

*****Final Conflict - Reward or Celebration*****

Post the birth of the New Self, a reward is received. Remaining Challenges are conquered. In Bonnie and Clyde (1967), Bonnie and Clyde finally have s

The 188 stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE 188 STAGE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.

ABRIDGED TIPS, EXCERPTS AND EXAMPLES:

(simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ for full details)

*****Final Conflict - Reward or Celebration*****

Post the birth of the New Self, a reward is received. Remaining Challenges are conquered. In Bonnie and Clyde (1967), Bonnie and Clyde finally have se

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE 188 STAGE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.

ABRIDGED TIPS, EXCERPTS AND EXAMPLES:

(simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ for full details)

*****Final Conflict - Reward or Celebration*****

Post the birth of the New Self, a reward is received. Remaining Challenges are conquered. In Bonnie and Clyde (1967), Bonnie and Clyde finally have s

THERE IS ONLY ONE STORY

THE 188 STAGE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.

ABRIDGED TIPS, EXCERPTS AND EXAMPLES:

(simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ for full details)

*****Final Conflict - Reward or Celebration*****

Post the birth of the New Self, a reward is received. Remaining Challenges are conquered. In Bonnie and Clyde (1967), Bonnie and Clyde finally have s

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.

ABRIDGED TIPS, EXCERPTS AND EXAMPLES:

(simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ for full details)

*****Final Conflict - Reward or Celebration*****

Post the birth of the New Self, a reward is received. Remaining Challenges are conquered. In Bonnie and Clyde (1967), Bonnie and Clyde finally have s

(simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ for full details)

*****Final Conflict - Reward or Celebration*****

Post the birth of the New Self, a reward is received. Remaining Challenges are conquered. In Bonnie and Clyde (1967), Bonnie and Clyde finally have sex. Bonnie has an orgasm.

*****New Self*****

Every Hero transforms from an Ordinary Self to a New Self. It is the New Self that has the capacity to conquer challenges that the Old Self could not. Progression of the New Self is demonstrated at the stage of the Seizing of the Sword. In Straw Dogs (1971), David walks home and decides to fire the boys. Also, Amy is smoking now.