of Desolation, where the Hero is not committed to the Journey and Transformation, a Trivial Task sets the Hero on the right course. In Bonnie and Clyde (1967), they steal another car.

*****Leaving the First Threshold*****

Upon leaving the First Threshold, a New Self is slowly becoming apparent. The Hero leaves behind the Old Self. Often this is expressed by a Change of Clo

FORWARD

The 188 stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE 188 STAGE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.

ABRIDGED TIPS, EXCERPTS AND EXAMPLES:

(simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ for full details)

*****Trivial Task*****

During the Period of Desolation, where the Hero is not committed to the Journey and Transformation, a Trivial Task sets the Hero on the right course. In Bonnie and Clyde (1967), they steal another car.

*****Leaving the First Threshold*****

Upon leaving the First Threshold, a New Self is slowly becoming apparent. The Hero leaves behind the Old Self. Often this is expressed by a Change of Clot

you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE 188 STAGE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.

ABRIDGED TIPS, EXCERPTS AND EXAMPLES:

(simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ for full details)

*****Trivial Task*****

During the Period of Desolation, where the Hero is not committed to the Journey and Transformation, a Trivial Task sets the Hero on the right course. In Bonnie and Clyde (1967), they steal another car.

*****Leaving the First Threshold*****

Upon leaving the First Threshold, a New Self is slowly becoming apparent. The Hero leaves behind the Old Self. Often this is expressed by a Change of Clo

AGE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.

ABRIDGED TIPS, EXCERPTS AND EXAMPLES:

(simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ for full details)

*****Trivial Task*****

During the Period of Desolation, where the Hero is not committed to the Journey and Transformation, a Trivial Task sets the Hero on the right course. In Bonnie and Clyde (1967), they steal another car.

*****Leaving the First Threshold*****

Upon leaving the First Threshold, a New Self is slowly becoming apparent. The Hero leaves behind the Old Self. Often this is expressed by a Change of Clo

here are usually four).

d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.

ABRIDGED TIPS, EXCERPTS AND EXAMPLES:

(simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ for full details)

*****Trivial Task*****

During the Period of Desolation, where the Hero is not committed to the Journey and Transformation, a Trivial Task sets the Hero on the right course. In Bonnie and Clyde (1967), they steal another car.

*****Leaving the First Threshold*****

Upon leaving the First Threshold, a New Self is slowly becoming apparent. The Hero leaves behind the Old Self. Often this is expressed by a Change of Clo

of Desolation, where the Hero is not committed to the Journey and Transformation, a Trivial Task sets the Hero on the right course. In Bonnie and Clyde (1967), they steal another car.

*****Leaving the First Threshold*****

Upon leaving the First Threshold, a New Self is slowly becoming apparent. The Hero leaves behind the Old Self. Often this is expressed by a Change of Clothes. In Bonnie and Clyde (1967), Bonnie puts on New Clothes and is dressed nicely now.

*****Hero surprises himself*****

Post the Crossing of the Return Threshold and before the Master of Two Worlds and Selves, a hell of a lot happens that is rarely given mention. The Final Conflict (a metaphor for this stage) follows a distinct process. It is not unusual for the hero, even though he (or she) may have been confident beforehand, to be surprised at his (or her) own overcoming of the antagonism. In Straw Dogs (1971), David whispers to himself, "...Jesus, I got them all....."

*****No Mans Land and New Self*****

It is in No Mans Land that the Hero's New Self becomes apparent. In Brokeback Mountain (2005), Jack tells Pop, the ignorant son of a bitch, to sit down. Ennis finds out that Alma knows he is gay.