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  • Hub You - 188 Step Hero's Journey (Monomyth) - Screenplay and Story Structure secrets

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    TIPS, EXCERPTS AND EXAMPLES:

    (simply go to http://www.heros-journey.info/ for full details)

    *****Push to the Oracle*****

    Despite conflict and resistances (often from a Romantic Challenge), there is a push to the Journey to the Oracle and then Sword. In Straw Dog

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    FORWARD

    The 188 stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template.

    Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

    [The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

    THERE IS ONLY ONE STORY

    THE 188 STAGE HERO'S JOURNEY:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.

    ABRIDGED TIPS, EXCERPTS AND EXAMPLES:

    (simply go to http://www.heros-journey.info/ for full details)

    *****Push to the Oracle*****

    Despite conflict and resistances (often from a Romantic Challenge), there is a push to the Journey to the Oracle and then Sword. In Straw Dog

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    or story or screenwriters. This is the template you must master if you are to succeed in the craft.

    [The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

    THERE IS ONLY ONE STORY

    THE 188 STAGE HERO'S JOURNEY:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.

    ABRIDGED TIPS, EXCERPTS AND EXAMPLES:

    (simply go to http://www.heros-journey.info/ for full details)

    *****Push to the Oracle*****

    Despite conflict and resistances (often from a Romantic Challenge), there is a push to the Journey to the Oracle and then Sword. In Straw Dog

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    elma and Louise (1991) to Apocaplyse Now (1979)].

    THERE IS ONLY ONE STORY

    THE 188 STAGE HERO'S JOURNEY:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.

    ABRIDGED TIPS, EXCERPTS AND EXAMPLES:

    (simply go to http://www.heros-journey.info/ for full details)

    *****Push to the Oracle*****

    Despite conflict and resistances (often from a Romantic Challenge), there is a push to the Journey to the Oracle and then Sword. In Straw Dog

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    d point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.

    ABRIDGED TIPS, EXCERPTS AND EXAMPLES:

    (simply go to http://www.heros-journey.info/ for full details)

    *****Push to the Oracle*****

    Despite conflict and resistances (often from a Romantic Challenge), there is a push to the Journey to the Oracle and then Sword. In Straw Dog

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    I know you wouldn't make such a gross error, but it set my teeth on edge as I heard yet again a pundit from a major television network describe a place as "very, very unique."What is going on that we Americans feel compelled to modify and glorify every noun or
    TIPS, EXCERPTS AND EXAMPLES:

    (simply go to http://www.heros-journey.info/ for full details)

    *****Push to the Oracle*****

    Despite conflict and resistances (often from a Romantic Challenge), there is a push to the Journey to the Oracle and then Sword. In Straw Dogs (1971), David confronts Cawsey and Scott about the dead cat.

    *****Foreshadow of Push or Pull*****

    Foreshadows (a setup or predictor of a coming sequence) are an underestimated aspect of story telling. They provide linkages between scenes and sequences. Similarly, Pushes and Pulls are an underestimated aspect of story telling. They push or pull the Hero from one state to another. In Bonnie and Clyde (1967), Bonnie pays for the groceries; the grocery boy knows something is going on and will soon call the police.

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