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  • Hub You - Hero's Journey - Part 5 and 6 (of 17)

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    The hero consciously agrees to enter the Ordeal. In The Shawshank Redemption (1994), the library and helping with the guards with their taxes pulls Andy in.

    The Road

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    The Hero’s Journey is the screenwriting template. Screenwriters can use it to write effective screenplays. Below are a few of the elements of each stage of the journey.

    The Belly of the Whale.

    Physical Separation. The hero makes a physical separation from the First Threshold. In Dances with Wolves (1990), John Dunbar travels to the Indian village. In Raging Bull (1980), Jake has a baby and puts on weight.

    Resistance to the Ordeal. There is resistance to the hero entering the Ordeal or leaving the First Threshold. In Dances with Wolves (1990), Wind in his Hair tells John he is not welcome.

    Conscious Decision to Undergo the Ordeal. The hero consciously agrees to enter the Ordeal. In The Shawshank Redemption (1994), the library and helping with the guards with their taxes pulls Andy in.

    The Road

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    ourney.

    The Belly of the Whale.

    Physical Separation. The hero makes a physical separation from the First Threshold. In Dances with Wolves (1990), John Dunbar travels to the Indian village. In Raging Bull (1980), Jake has a baby and puts on weight.

    Resistance to the Ordeal. There is resistance to the hero entering the Ordeal or leaving the First Threshold. In Dances with Wolves (1990), Wind in his Hair tells John he is not welcome.

    Conscious Decision to Undergo the Ordeal. The hero consciously agrees to enter the Ordeal. In The Shawshank Redemption (1994), the library and helping with the guards with their taxes pulls Andy in.

    The Road

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    Dunbar travels to the Indian village. In Raging Bull (1980), Jake has a baby and puts on weight.

    Resistance to the Ordeal. There is resistance to the hero entering the Ordeal or leaving the First Threshold. In Dances with Wolves (1990), Wind in his Hair tells John he is not welcome.

    Conscious Decision to Undergo the Ordeal. The hero consciously agrees to enter the Ordeal. In The Shawshank Redemption (1994), the library and helping with the guards with their taxes pulls Andy in.

    The Road

    Better Practice Inventory Management
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    g the Ordeal or leaving the First Threshold. In Dances with Wolves (1990), Wind in his Hair tells John he is not welcome.

    Conscious Decision to Undergo the Ordeal. The hero consciously agrees to enter the Ordeal. In The Shawshank Redemption (1994), the library and helping with the guards with their taxes pulls Andy in.

    The Road

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    The hero consciously agrees to enter the Ordeal. In The Shawshank Redemption (1994), the library and helping with the guards with their taxes pulls Andy in.

    The Road of Trials.

    [This is the beginning of the Ordeal –the meat of the adventure].

    Clumsily Enters. The hero clumsily enters the world of the ordeal. He is like a bull in a china shop. In Scarface (1983), Tony makes his way to the dance floor (when Elvira and Frank first take him to the nightclub) like a bull in a china shop. In Dances with Wolves (1990), John Dunbar clumsily smokes the pipe. Introductions are awkward (“he is right, introductions should come first”).

    Potential Rewards. The rewards of the journey are visible and entice the hero into the journey. In The Shawshank Redemption (1994), Andy believes he can make a difference by building a library

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